“The King’s Speech” director Tom Hooper’s outlandishly tacky interpretation seems destined to become one of those once-in-a-blue-moon embarrassments that mars the résumés of great actors (poor Idris Elba, already scarred enough as the villainous Macavity) and trips up the careers of promising newcomers (like ballerina Francesca Hayward, whose wide-eyed, mouth-agape Victoria displays one expression for the entire movie). Here’s what critics have to say about the fantastical spectacle: However - based on the Broadway musical’s unprecedented commercial success and longevity - we can’t rule out a box office smash fueled by pure hatred.
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